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For example, some of my own guilty displeasures are opera, old movies, and poetry. I don’t hate any of those, but I like them far less than I want to admit when I’m not writing a blog post about guilty displeasures. I have been to operas, including the full cycle of Wagner’s Nibelungen. I have friends who have made me watch black and white movies from the Hollywood golden age. I used to write poems as a teenager, like all sensitive and nerdy young men. But quite frankly, I don’t feel that I need any of those things in my life. When my friend who conducts operas at the university invites me to one, I patiently wait for the singers to quit singing so I can properly enjoy the instrumental parts of the music. When I must watch old movies, I spend 25% of the time reading the Wikipedia summary to keep myself entertained. When I read a book or blog post that quotes something in verse, I literally just skip it and hope it wasn’t important to understand the rest.
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评价村史馆,不在于外在装修,而在于内在底蕴。建村史馆,要深挖本土资源、讲好本地故事,不能靠简单的“拿来主义”,更不能搞“一刀切”的标准化配置。一座村史馆可以聚焦一个主题,或是村里的非遗手艺,或是一段可歌可泣的奋斗史。坚持小而美的定位,普通故事里也能照见时代光彩。更重要的是,让村民成为建设的主体。当村民透过展柜看到自家的物件,“这是我家的故事”,那份自豪感和归属感,是任何精美展陈都无法比拟的。